“Slanted” is simply too easy.

“I Love Boosters” is a wickedly clever skewering of the moral rot at the center of the fashion industry delivered with enough vision to make your eyes hurt.

So preoccupied with tragedy that the romance becomes secondary.

The film itself isn’t a total smash, it’s a more than sturdy final effort from a beloved actor. 

Ultimately lands on a hollow moral relativity to justify its weak finale.

This is a film that doesn’t feel the need to explain itself. Nightmares rarely do.

A two-character drama about loss and PTSD with strong lead performances and a structure that undercuts them.

“Project Hail Mary,” though an overtly familiar yet enjoyable excursion, struggles to become boundless.

A meditative and moving document.

A zombie movie with no zest.