Ronan Day-Lewis’s feature debut “Anemone” is an ambitious and expressionistic family drama about brothers and fathers, but its obtuse nature leaves the audience feeling estranged.

Sometimes, we should be made uncomfortable. And that is, in the end, what “After the Hunt” attempts and mostly succeeds in.

It's bound to stimulate conversation, and probably some arguments as well.

Imagine a cross between “Taken” and “Fargo” and you’ll get an idea of the chilly thrills “Dead of Winter” has to offer.  An extremely game Emma Thompson functions as both a Liam Neeson and a Frances McDormand figure here: She’s got a particular set of skills, but she dishes them out with a healthy helping […]

Goldstein and Poots’ chemistry is authentic, and without it the film wouldn’t and couldn’t work.

The AI revolution has all the dignity of a dildo joke, and Radu Jude is happy to oblige.

All this style is in service of a fairly formulaic story about volatile men going crazy at the edge of nowhere.

“Demon Slayer: Kimetsu no Yaiba Infinity Castle” is a flashy, frenetic, and thoroughly entertaining action anime that delivers on both a visual and emotional level.

A remarkably propulsive, fun, and eventually moving piece of work about the human beings caught up in the chaotic machine.

Scarlett Johansson’s feature debut “Eleanor the Great” is quite the surprise.